For the 2014 edition of the Salone Milan, Cosmit ( the organising body )meets Italian Italian designer Rodolfo Dordoni and asks him — ” Where is Design Going ? ”
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SALONE MILAN 2019
Dedece Skyscraper Project
This year, Minotti enters its 20th year collaborating with it’s creative design director, Rodolfo Dordoni.
The long-term partnership is built on a deep connection between Dordoni and the Minotti brothers ( Renato and Roberto ) grounded in a shared culture, background, and taste.
Minotti translates the designer’s creative vision and concepts into tangible objects and collections that have come to represent the brand’s stylish identity.
The Minotti 2014 exhibition stand project revisits the concept of “destructured architecture”
Minotti skillfully creates spaces through the use of dividing walls, that interact among themselves through an interplay of differing heights and overlapping various elements, and a blending of materials and finishes designed to produce a dynamic separation of the various settings in which the new products from the collection are displayed.
I am not materialistic. I do not fall in love with objects. When we finish a collection, it’s a product. When we are making a new one, it is a process. It becomes a passion.
I can tell you the collection I like the most is the next one. The collection I would most like to have at home is the next one.
The exhibition traces the 30 year career (from the eighties to the present ) of one of Italy’s most eclectic personalities – international architect and designer Massimo Iosa Ghini, – through a rich selection of drawings, designs, interiors and architecture, objects, illustrations, movies.
Architect Tsuyoshi Tane of French design studio DGT, created a spectacular light and time installation for Citizen watches, at the Triennale Museum, that enveloped visitors in a soft gilded cloud.
“Sunlight is the terrestrial measurement of passing time”, explained Tsuyoshi Tane, “we took that as a starting point and developed the simple concept behind the Citizen installation.”
If you are creating your own label then I think it’s quite good to have an identity.
I’m like Land Rover of the furniture world — a bit chunkier, not particularly stylish.