Below is a video showing the effort required to set up the majestic Minotti Salone 2011 presentation stand – and interviews with Renato and Roberto Minotti ( on the Minotti Design Identity 2011 ) and Rodolfo Dordoni ( the architect who coordinated it.)
One look at the new Minotti 2011 collection and you immediately understand why such a…
Minotti has been producing upholstered furniture for more than fifty years, consolidating their position as…
Minotti Design Identity 2011 – is the name of the new collection and it is…
Minotti has participated every year for all 50 years of the Salone. Style takes time…
Catalogue 248 pages dedicated to the new collection: a parade of images, divided by chapter,…
Conifera has been conceived in response to an open brief from COS, with the final structure a result of a parametric design process that has seen the installation evolve with each new technological and material innovation throughout its conception.
The piece vertically integrates design and construction, forming a direct connection from design to build through a dialogue with robotics: the architect is at once designer and maker.
The catalog presents the collection in contemporary settings of immediate impact.
MoMA’s announced what might be its boldest acquisition ever. And it didn’t even cost anything: The “@” symbol is now a part of the museum’s permanent design collection.
For ‘The Room of Change’ Accurat created a 30-meters-long hand-crafted data-tapestry illustrating how multiple aspects of our environment have changed in the past centuries, how they are still changing, and how they will likely continue changing, addressing many of the topics presented in the exhibition.
With this installation, Accurat questions a communication made only of data and numbers and suggests a change of scale and perspective.
Design for download No longer from the furniture store, but with a download from a…
I have a definite preference for the construction of things – rather than the final shape. I love the bones of an object. The surface or the skin is never an afterthought but always a consequence of the structure
Tom Dixon
