When designers visit Euegnio Perazza at Magis Headquarters in Venetto,Italy – they now sign the ever growing ‘ Wall of Fame ’, the company’s equivalent of a guest book
On the occasion of the 2019 Venice Film Festival, Davide Groppi presented “NelBlu”, a sensory journey of light and art at the Peggy Guggenheim Collection.
CoeLux – ” Experience the Sky “- won a coveted Good Design Award ( Gold ) in the Product Design category in recognition for outstanding design and innovation.
It is a system able to reproduce sun and sky.
Davide Groppi presented InControLuce, a book that celebrates thirty years of work in the creation of lamps and lighting projects, sharing the vision that inspired Davide Groppi’s first creations, through written ancedotes and illustrations
Designed by the young couple, work and life partners, Gilli Kuchik and Ran Amitai, it has a simple and understated shape and the clean lines of three sails in the wind.
Its manufacture however is extraordinary, with shell in die-cast magnesium and the four legs in extruded magnesium – the first chair made using magnesium whihc has been designed, developed and produced in decidedly industrial terms.
Weighing two and a half kilos, it can be moved or stacked on another chair with just one finger.
Interni asked the architects and designers participating in this year’s edition of the event to translate the concept of ‘ Human Space’ into experimental installations, starting with the furnishings that surround us and extending to urban mobility.
From the natural environment to macro-system of production, such as the virtuous – and by now necessary – circular economy.
In collaboration with partner companies and institutions, over thirty installations have been created for the show, envisioning a future in which nature and the planet are protected, resources are saved and artificial intelligence is applied for the common good, promoting personal well being.
The theme of the 22nd Triennale di Milano is, as the title suggests, in-depth examination of the ties between humans and our natural environment, now profoundly compromised and, in some cases, completely destroyed, looking at the role design can play in reconstituting these links.
In exploring architecture and design objects and concepts at all scales and in all materials, Broken Nature celebrates design’s ability to offer powerful insight into the key issues of our age, moving beyond pious deference and inconclusive anxiety.
For ‘The Room of Change’ Accurat created a 30-meters-long hand-crafted data-tapestry illustrating how multiple aspects of our environment have changed in the past centuries, how they are still changing, and how they will likely continue changing, addressing many of the topics presented in the exhibition.
With this installation, Accurat questions a communication made only of data and numbers and suggests a change of scale and perspective.
For Minotti, the year 2019 brings a new stylistic language, a new decorative code.
This new vision of interior design mixes different styles, by working with designers from different cultural backgrounds, who harmoniously become part of the “Minotti project”, all coordinated by Roberto Dordoni with Minotti Studio.