Canadian designer Omer Arbel and contemporary manufacturer Bocci revealed 28, a materially explorative light installation at Spazio Rosanna Orlandi during Milan Design Week. The exhibition showcased the results of Omer Arbel’s radical experimentation with blown glass technique and composition.Omer Arbel is renowned for his manipulation of light and shadow at both the scale of industrial design and architecture. 28 consisted of haphazardly composed blown glass pendants, with built in halogen/ LED lighting nodes, arranged in hexagonal chandeliers of differing lengths. The fabrication technique employed and refined by Arbel ensures that each pendant produced is completely unique in form from every other pendant – the pieces were shaped more or less by accident during production. The chandelier is height adjustable, and can range in size from 3 to 19 pendants organized in a central sculptural configuration, or in an ambient composition. At Rossana Orlandi’s space, Arbel nestled an overwhelming number of these pieces together to create a cohesive environment with its own rules of perspective, movement, and composition. The floor is treated with a continuous mirror, reflecting perfectly the constellation of chandeliers above – with the visitor is suspended in limbo in between. As the viewer approaches the room, the mirrored surface of the walkable floor reflects the chandeliers above, modulating the space with both direct and indirect light. Entering, one becomes completely immersed in a subtle brightness that creates a powerful phenomenological situation. The installation was intended to create a separate, highly defined environment, different from the surrounding world around us. In this contained environment, the qualities of the new 28 chandelier become tangible, and are manipulated and composed to communicate an emotional / intuitive imperative. “I like thinking of design and architecture as fundamentally romantic pursuits,” Omer Arbel says: “With our work an object or building is emotional and intuitive first of all. Ornament, style, technique, etc. are used as a way to focus on this basic fundamental quality. In this installation I have applied ideas and aesthetic explorations that I have been obsessed with over the years and which have recently manifested itself in my latest light design. I enjoy pushing the aesthetic and sensory possibilities of whatever medium I’m working with – in this case glass”. The Series 28 chandelier has, despite its slick and elegant finish, an industrial strength and heritage. The chandelier is made using a special glass blowing technique, where air is repeatedly blown in and then sucked out of intermittently heated and then cooled glass. The result is a distorted sphere in which a small LED (12V, 0.3W) or halogen (12V, 20W) light is placed. The light from these tiny bulbs projects through the complexity of the blown glass shapes to create pools of light and shadow on the surrounding walls, ceiling and floor which have an almost aquatic sensibility.
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Spazio Rossana Orlandi now showing for the 9th year, continues to be a must see during Milan Design Week.
International atmosphere, light, colors, flowers, whimsical items, windows, boxes full of anything, textiles, mazes, tunnels, courtyards and wonderful exhibits all around you. it is virtually impossible not to be charmed.
A great place to have a relaxing “End of Salone” celebratory lunch.
The design gallery “Spazio Rossana Orlandi” which opened in 2002, is in a former tie factory on Via Matteo Bandello, in the Magenta / Sant ‘ Ambrogio neighbourhood of Milan.
Crowned “The Queen of Design” by the New York Times, Rossana Orlandi – who was once a fashion designer – is better known for her role discovering and championing new designers
Gallery Rossana Orlandi was opened in 2002 in a former tie Factory in the Zona Sant Ambrogio / Magenta neighborhood
Since then Rossana Orlandi has been forecasting new and upcoming designers and establishing the premise as one of the most revered platforms for avant-garde Design and Lifestyle
On Wed 5th April, 2017 Surface Magazine had the pleasure to co-sponsor ( with SLamp ) the exclusive “Dinner for One hundred VIP” organized by Rossana Orlandi.
The occasion was held to celebrate Surface Magazine’s Inaugural Taste Issue which featured Rossana Orlandi on the cover
Nilufar owner Nina Yashar, collaborated with the Instituto Bardi Casa du Vidro in São Paulo, to bring together the largest number of furniture pieces by Rome-born Brazilian designer Lina Bo Bardi ever to be exhibited in one place.
Yashar has managed to acquire an example of almost all of Bo Bardi’s furniture designs and she considers this the most important show of her four-decade career as a Gallerist.
The Memphis collections were playful and polymorphic, and the 2014 Gallery exhibition at the Stelline Refactory, was a tribute to Memphis and its designers
Yet above all it celebrated the spirit ambiguous , complexity and contradictory ideas which make these objects the timeless icons in an era marked by narcissism and the culture of the ephemeral.