Canadian designer Omer Arbel and contemporary manufacturer Bocci revealed 28, a materially explorative light installation at Spazio Rosanna Orlandi during Milan Design Week. The exhibition showcased the results of Omer Arbel’s radical experimentation with blown glass technique and composition.Omer Arbel is renowned for his manipulation of light and shadow at both the scale of industrial design and architecture. 28 consisted of haphazardly composed blown glass pendants, with built in halogen/ LED lighting nodes, arranged in hexagonal chandeliers of differing lengths. The fabrication technique employed and refined by Arbel ensures that each pendant produced is completely unique in form from every other pendant – the pieces were shaped more or less by accident during production. The chandelier is height adjustable, and can range in size from 3 to 19 pendants organized in a central sculptural configuration, or in an ambient composition. At Rossana Orlandi’s space, Arbel nestled an overwhelming number of these pieces together to create a cohesive environment with its own rules of perspective, movement, and composition. The floor is treated with a continuous mirror, reflecting perfectly the constellation of chandeliers above – with the visitor is suspended in limbo in between. As the viewer approaches the room, the mirrored surface of the walkable floor reflects the chandeliers above, modulating the space with both direct and indirect light. Entering, one becomes completely immersed in a subtle brightness that creates a powerful phenomenological situation. The installation was intended to create a separate, highly defined environment, different from the surrounding world around us. In this contained environment, the qualities of the new 28 chandelier become tangible, and are manipulated and composed to communicate an emotional / intuitive imperative. “I like thinking of design and architecture as fundamentally romantic pursuits,” Omer Arbel says: “With our work an object or building is emotional and intuitive first of all. Ornament, style, technique, etc. are used as a way to focus on this basic fundamental quality. In this installation I have applied ideas and aesthetic explorations that I have been obsessed with over the years and which have recently manifested itself in my latest light design. I enjoy pushing the aesthetic and sensory possibilities of whatever medium I’m working with – in this case glass”. The Series 28 chandelier has, despite its slick and elegant finish, an industrial strength and heritage. The chandelier is made using a special glass blowing technique, where air is repeatedly blown in and then sucked out of intermittently heated and then cooled glass. The result is a distorted sphere in which a small LED (12V, 0.3W) or halogen (12V, 20W) light is placed. The light from these tiny bulbs projects through the complexity of the blown glass shapes to create pools of light and shadow on the surrounding walls, ceiling and floor which have an almost aquatic sensibility.
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Spazio Rossana Orlandi now showing for the 9th year, continues to be a must see during Milan Design Week.
International atmosphere, light, colors, flowers, whimsical items, windows, boxes full of anything, textiles, mazes, tunnels, courtyards and wonderful exhibits all around you. it is virtually impossible not to be charmed.
A great place to have a relaxing “End of Salone” celebratory lunch.
The design gallery “Spazio Rossana Orlandi” which opened in 2002, is in a former tie factory on Via Matteo Bandello, in the Magenta / Sant ‘ Ambrogio neighbourhood of Milan.
Crowned “The Queen of Design” by the New York Times, Rossana Orlandi – who was once a fashion designer – is better known for her role discovering and championing new designers
Gallery Rossana Orlandi was opened in 2002 in a former tie Factory in the Zona Sant Ambrogio / Magenta neighborhood
Since then Rossana Orlandi has been forecasting new and upcoming designers and establishing the premise as one of the most revered platforms for avant-garde Design and Lifestyle
On Wed 5th April, 2017 Surface Magazine had the pleasure to co-sponsor ( with SLamp ) the exclusive “Dinner for One hundred VIP” organized by Rossana Orlandi.
The occasion was held to celebrate Surface Magazine’s Inaugural Taste Issue which featured Rossana Orlandi on the cover
Ollo is a light task chair designed to support improvisation and spontaneity across a variety of environments and work styles.
With its modern form and intuitive movement, Ollo adapts to the task at hand, whether you’re just touching down or staying a while.
Intentionally simple and free of complicated mechanisms, the open form welcomes the user without dictating the chair’s function.
Newly inaugurated, the Alcantara Magic Hotel is a project by Gentucca Bini who covered a building under renovation, along the famous Milan pedestrian road
Using 200 square metres of soft Alcantara, she reproduced the façade of a real hotel where 2D elements join three-dimensional ones, such as the central balcony and some window shutters, thus producing a highly realistic effect.
Atelier Swarovski Home featured a range of collections designed in collaboration with luminaries from the art, design, architecture and fashion worlds.
The exhibition took place in the neo-classical Palazzo Cagnola, and was organized by designer, and arranged in an engaging display of light and reflection, crystalline forms phrased as vases, centerpieces, and interactive objet d’art culminated in a debut of a collection whose ultimate purpose is to re-imagine home décor.