Luca De Padova @ Milan Design Week 2011
An interview ( in Italian) with Luca De Padova, the CEO of De Padova (since…
An interview ( in Italian) with Luca De Padova, the CEO of De Padova (since…
De Padova is a paradox – it is part of a quintessentially Italian design culture and yet is defined by its international scope.
Coherency remains a key theme at De Padova.
The brand’s collection is tastefully eclectic, both in terms of its origin and the styles.
The catalog presents the collection in contemporary settings of immediate impact.
Essence was born of Luca Nichetto’s desire to share the knowledge of processes of…
Australian designer, Helen Kontouris describes her Chloe table for DePadova Italy as follows: – “One day I…
De Padova presented their latest product developments and the company’s idea of living at their permanent Milan showroom, on Corso Venezia. under a veritable deluge of drops of padded fabric
22 renowned designers and artists were asked by Riva 1920 to work the ‘Briccole’, (…
Ollo is a light task chair designed to support improvisation and spontaneity across a variety of environments and work styles.
With its modern form and intuitive movement, Ollo adapts to the task at hand, whether you’re just touching down or staying a while.
Intentionally simple and free of complicated mechanisms, the open form welcomes the user without dictating the chair’s function.
Massimiliano collaborated with Italcementi Heidelberg Cement Group, Dutch construction company CyBe Construction, and Arup to design and bring to life “3D Housing 05 “, a prototype of a 3D-printed concrete home created in response to the growing affordable housing crisis.
The one storey concrete house, located in the grand Piazza Cesare Beccaria, covers 100 square meters; it has curved walls, a living area, bedroom, kitchen and bathroom.
Wallpaper* teamed up with the tech wizards at Kin Design to pull off an extraordinary…
‘Hot Tools’ was one of three exhibitions presented by ECAL (University of Art and Design,…
Norman Cherner (1920-1987) was truly a renaissance man of the midcentury-modern movement — his devotion to teaching, prefabrication and hands-on production probably handicapped him in the race to get into the pantheon of mid century greats.
Cherner is recognized as one of the most original of a generation of designers that explored post-war technological innovations in industrial design and architecture.